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<OtherText><TextTypeCode>01</TextTypeCode><Text>To a person who has a love of dogs and an admiration for their uses in war and law enforcement, this book provides a fascinating insight into the history of dogs and the current day employment of them.From Babylonian mastiff-type war dogs with spiked collars, to modern kitted-out military dogs highly trained to detect explosives, dogs have long been a soldier?s best friend. Nigel Allsopp, a highly experienced dog handler in both military and civilian police arenas, details how the incredible abilities of dogs are indispensable in military, para-military and police operations. Country by country, he details how dogs were used and trained in the past and present for patrolling, guarding, search and rescue, parachuting and, perhaps most importantly in today?s political climate, detection of explosives. Allsopp?s ability to not only write this information with real passion and expertise, but also to gain permission to print highly sensitive materials from nearly 50 nations, makes this the most authoritative and comprehensive book available on the subject. Cry Havoc galvanises the notion that, despite technological advances in warfare, dogs will continue to be one of the most useful tools of support in every nation?s security interests. The future will continue to hear the call ?Cry Havoc - and let loose the dogs of war!?</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/8/4/841.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Now available on the iBooks Store On Australia Day 1966, the Beaumont children Jane, Arnna and Grant disappeared from an Adelaide beach. Despite a large-scale police investigation and extensive media coverage, the case remains unsolved, bogged down by false leads and dead ends, and the Beaumont children were never seen again. In 2006, author Alan Whiticker, assisted by researcher Stuart Mullins, wrote the definitive account of the siblings disappearance in Searching for the Beaumont Children. Since the publication of that book, fresh leads have been sceptically received, until one family in particular presented a remarkable possibility that their family patriarch, a man with a peculiar predilection for satin, might have been involved. This book, The Satin Man, is the result of the ten years that followed, in which Whiticker and Mullins continued their hunt for the truth. It details everything uncovered about the new potential suspect, a man of wealth and position, and sheds incredible new light on this decades-old mystery with vital additional information on the unsolved case.  </Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/t/h/the_satin_man_cover_working.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Crabs are one of those common critters we often encounter at the beach or local jetty. Most people don t pay any attention to them, especially as they are quick to scuttle away and hide if you get too close. But did you know that the world s largest crab has legs that are wider than a car and that the smallest crab is no bigger than a pea?Crabs are just one member of a fascinating bunch of creatures called the crustaceans. These incredible animals come in an amazing variety of shapes and sizes, and live in the oceans, rivers, lakes and even on land.Designed for the young reader, Crabs and Crustaceans will entertain and delight as readers discover what crustaceans are, how they live, how they grow, how they breathe, what they eat and what feeds on them.Filled with spectacular pictures, interesting facts and figures, delve deep into the fascinating world of crabs and crustaceans.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/9/7/9781921580314.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Captain James Cook (1728 1779) was one of the most influential explorers in history. Cook sailed thousands of nautical miles across largely uncharted areas of the globe, discovering new lands and mapping vast areas of the Pacific Ocean including the islands of New Zealand and the East Coast of Terra Australis Incognita, which he named New South Wales.From humble beginnings in York, England, Cook went on to circumnavigate the globe on three occasions before tragically losing his life in the Hawaiian Islands, aged just 52. His achievements not only included the discoveries of countless islands, exotic peoples and previously unknown flora and fauna, but they also led to the settlement of Australia in 1788 and ultimately, changed the world.The Voyages of Captain Cook is the story of his thrilling and perilous voyages around the world.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/t/h/the_voyages_of_captain_cook_front_hires.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Collection of Aboriginal poems. Brenda Saunders is an artist and writer of Wiradjuri and British descent. She was born in Sydney where she trained as a visual artist. Her work is collected in public and private institutions in Australia and overseas She began writing poetry in 2001 because, she says, she has a lot to say about the urban Aboriginal experience. She has read at several poetry events with the Sydney Writer&#8217;s Festival and on Awaye and Poetica ABCRN. Brenda was awarded the Varuna Dorothy Hewitt Poetry Fellowship for 2012 and her poems have won several awards.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/9/7/9781921665905.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Leo McGuffin has the best job in the world. He works for the Institute of Fantastical Inventions making people&#8217;s fantasies come true. Want to float around the house like a bubble and pop at midnight? No problem. Have you secretly always wanted to be an astronaut but were too short, too round or had poor eyesight? Never fear, the IFI will make it happen. And though Leo is a talented scientist, his people skills leave a lot to be desired: witness his relationship with colleague, Dr Andrea Allsop. When boy wonder Edward joins up with Leo, they help boring Roger Mumble become an international man of mystery. Then the pair uncover a dastardly plan to steal and sell the Institute&#8217;s array of magnificent inventions, threatening the very existence of the organisation Leo loves. Can Leo, Edward, Dr Andrea Allsop and the mysterious Roger Mumble outwit the spies and save the Institute from ruin?</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/9/7/9781922134936.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Within us all lives a better stronger person.Dave Tabain has a name for him, he calls him&#8230; POW man  Dave POW Tabain&#8217;s schoolmate Stu is being bullied by Johno and his crew. At first, Dave doesn&#8217;t know how he can help Stu. He&#8217;s ashamed that he just stands and watches, too scared to do anything. Then he remembers that his parents taught him how to deal with people who say and do mean things to others. Its time to make a plan.Instead of doing his maths work, Dave spends the lesson writing out his POW PLAN. He explains it to Stu and their friend Bray, and they test it out that afternoon at sport. In a thrilling game of basketball, Stu overcomes Johno&#8217;s bullying and their team wins the game. The boys are so excited that the plan worked, they&#8217;re pretty sure it could work for other kids too.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/p/o/powman_final_cover.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>With meticulous theories and many thousands of paintings, drawings, and watercolors,Paul Klee (1879ndash;1940) is considered one of the most cerebral and prolific leaders of 20th-century European art. Though typically small in scale, his works are remarkable for their sophisticated thought and meticulous nuances of line, color, and tonality.Kleersquo;s stylistic formation was shaped by early affiliation with the German expressionist group Der Blaue Reiter and, in particular, by a 1914 trip to Tunisia which transformed his use of color. After the war, he taught at the esteemed Bauhaus school, where his lectures, like his emerging practice, emphasized the symbolic potential of shade, line, and geometry. Klee was also inspired by Cubism, poetry, music, literature, language, and the simplistic power of childrenrsquo;s art. Famed for his simple stick figures, he often combined the appearance of untutored naiuml;veteacute; with rigorous composition and intellectual significance.This book provides a selection of key Klee works to introduce his style and influence. From sun-drenched landscapes to enigmatic wordplay, discover a world at once simplistic, symbolic, and dazzlingly colorful.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/k/l/klee.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Filling notebook after notebook with sketches, inventions, and theories, Leonardo da Vinci (1452ndash;1519) not only stands as one of the most exceptional draftsmen of art history, but also as a mastermind and innovator who anticipated some of the greatest discoveries of human progress, sometimes centuries before their material realisation. From the smallest arteries in the human heart to the far-flung constellations of the universe, Leonardo saw nature and science as being unequivocally connected. His points of enquiry and invention spanned philosophy, anatomy, geology, and mathematics, from the laws of optics, gravitation, heat and light to the building of aflying machine. In his painting, Leonardo steered art out of the Middle Ages with works such as The Last Supper and the world-famous La Gioconda or Mona Lisa depicting not only physical appearances, but a compelling psychological intrigue and depth which continues to draw crowds of mesmerized visitors to masterpieces in Paris, Milan,Washington, London, and Rome. This book collates some of Leonardo's most outstanding work to introduce a figure of infinite curiosity, feverish imagination and sublime artistic ability, often described as having ldquo;not enough worlds for to conquer, and not enough lives for to liverdquo; (Alan Woods).</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/l/e/leonardo.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Helmut Newton (1920ndash;2004) is remembered as one of the most prolific photographers of the 20th century, channeling the sensuality and erotic power of his subjects with panache, precision, and impact. His aesthetic was uniquely his, while at the same time establishing a new way of photographing fashion and glamour.Joining TASCHENrsquo;s illustrious collection of Helmut Newton titles, including Helmut Newton: Polaroids, Pages from the Glossies, and the spectacular Helmut Newton: SUMO, this fresh edition of Helmut Newton: Work spans a stretch of Newtonrsquo;s career, with some of his most striking shots from the 60s through to his golden heyday. From shadowy street to hotel boudoir, itrsquo;s a collection that showcases Newtonrsquo;s suggestive storytelling throughout his fashion, editorial, or personal pictures.Celebrity faces are there, caught in candid moments; Helmutrsquo;s wife June lights a cigarette across the table; a bejewelled hand grabs a wodge of dollar notes; and the big nudes march on, in all their statuesque glory.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/9/7/9783836526883.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>The most important landmarks in the history of photography under the microscope  Photographs have a strange and powerful way of shaping the way we see the world and influencing our perceptions of reality. To demonstrate the unique and profound influence on culture and society that photographs have, Photo Icons puts the most important landmarks in the history of photography under the microscope.   Each chapter of this special edition focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts. The book begins with the very first permanent images (Nic&#233;phore Ni&#233;pce's 1827 eight-hour-exposure rooftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the present day, via the avant-garde photography of the 1920s and works such as Dorothea Lange's Migrant Mother (1936), Robert Doisneau's Kiss in Front of City Hall (1950), and Martin Parr's 'New European photography.' </Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/2/5/25_50_photo_icons_ju_gb_3d_44933.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>On December 31, 1958, Lee Lockwood, then a young photojournalist, went to Cuba to cover what looked to be the end of Batistarsquo;s regime. He arrived the day before Fidel Castro took power and spent a week canvassing the island before finally coming into contact with the victorious leader. Castro immediately took to Lockwood and over the next decade invited him back many times, granting him special access to his inner circle and free reign to explore the island without the usual restrictions imposed upon American journalists. Originally published in 1967, Lockwood's interviews and observations are now republished by TASCHEN alongside hundreds of photographs covering both the weeks Lockwood spent traveling with Castro and the years he documented Cuba's transformation throughout the 60s. From military encampments in the Sierra Maestra mountains to Havana street life and political rallies, many of these color images have never been published before. A foreword and afterword by Latin America expert Saul Landau contextualize Lockwood's work at a moment in history when U.S. Cuba relations once again take center stage. It remains to this day one of the most penetrating portraits of the Cuban leader.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/4/6/4610_1.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Paul Gauguin (1848&#8211;1903) was not cut out for finance. Nor did he last particularly long in the French Navy, or as a tarpaulin salesman in Copenhagen who did not speak Danish. He began painting in his spare time in 1873 and in 1876 took part in the Paris Salon. Three years later, he was exhibiting alongside Pissarro, Degas, and Monet.  A querulous, hard-drinking individual, Gauguin often called himself a savage. His close but fraught friendship with the similarly temperamental Vincent van Gogh climaxed in a violent incident in 1888, when van Gogh purportedly confronted Gauguin with a razor blade, and later cut off his own ear. Shortly afterwards, following the completion of a midcareer masterpiece Vision After the Sermon (1888), Gauguin took himself to Tahiti, with the intention of escaping &#8220;everything that is artificial and conventional&#8230;&#8221;  On Tahiti, Gauguin&#8217;s unfettered joy in the island&#8217;s nature, native people, and figurative images soared, spurring a prolific output of paintings and prints. In works such as Woman with a Flower (Vahine no te Tiare, 1891) and Sacred Spring: Sweet Dreams (Nave Nave Moe, 1894), he developed a distinct, Primitivist style that positively oozed with sunshine and color. In the tradition of exotic sensuality, his thick, buttery lashings of paint lingered in particular over the curves of Tahitian women.  Gauguin died alone, on Tahiti&#8217;s neighboring Marquesas Islands, with many of his personal papers and belongings dispersed in a local auction. It was not until a smart art dealer began curating and showing Gauguin&#8217;s work in Paris that the artist&#8217;s profound influence began making itself felt, especially to the new breed of French avant-garde artists, such as Picasso and Matisse.This book offers the essential introduction the artist&#8217;s truly colorful life, from the Impressionist salons of 1870s Paris to his final days in the Pacific, productive and passionate to the end.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/9/7/9783836532235.png</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>An artist both of and before his time The Old Master who ushered in the modern era GoyaFrancisco Joseacute; de Goya y Lucientes (1746ndash;1828), one of Spainrsquo;s most revered and controversial painters, is known for his intense, chilling, and sometimes grotesque paintings depicting the injustice of society with brutal sincerity. A court painter to the Spanish crown, he captured, through his works, a snapshot of life in Spain in the late 18th and early 19th centuries. Coming at the tail end of the Old Masters period, Goya, with his audacious, subversive, and highly influential works, can be considered the first painter of the modern era. His influence can be seen in the works of artists as varied as Pablo Picasso and Francis Bacon.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/4/9/4996.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>A blueprint for Expressionism - Printmaker Franz Marcrsquo;s short life fueled the rise of German Expressionism Printmaker, landscape painter, and cofounder of Der Blaue Reiter (ldquo;The Blue Riderrdquo;), Franz Marc (1880ndash;1916) left an exceptional legacy in German Expressionism. His work absorbed influences including Paul Gauguin, van Gogh, Picasso, Henri Matisse, and Robert Delaunay to galvanize a new vocabulary of form and color.Especially keen on depictions of animals, Marcrsquo;s work began emphasizing cubist, semiabstracted shapes; frenetic, whirling compositions; and in his paintings, a new vocabulary of color. Marc located spiritual values in different shades. Blue was spirituality and masculinity. Yellow depicted femininity and joy. Red hues correlated to anger and violence. It was with his friend and peer Wassily Kandinsky that Marc founded Der Blaue Reiter, a loose band of artists connected by a shared interest in woodcuts and prints, the symbolic values of color, and spontaneous approaches to painting. The group was short-lived, dissolving with the onset of the First World Warmdash;which would also claim Marcrsquo;s life in 1916mdash;but it set an Expressionist standard that would flourish for decades. Susanna Partsch (born in 1952) studied art history first in Heidelberg and, between 1980 and 1985, at the Wilhelm Hack Museum in Ludwigshafen, Germany. Presently a freelance writer in Munich, she has written books on Rembrandt, Gustav Klimt, Franz Marc, and Paul Klee.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/a/r/art_marc_ba_gb_3d_49273_1607191732_id_1067885_1_.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>With Super Heroes nearly extinct at the start of the 1950s, DC Comics reignited the fire that would make them central to modern popular culture by infusing them with science fiction elements. To circumvent the limitations of the self-censoring Comics Code Authority, DC Comics' writers and editors spun ever-more fantastic tales, bringing Super Heroes and Bob Hope alike into the realm of sci-fi. The results were transformative, delivering the first-ever "reboot" of Golden Age greats with the Flash, Green Lantern, andHawkman as well as the hit TV show Batman. The Silver Age of DC Comicschronicles it all, right down to the wacky shenanigans of television's Batman, which made him the embodiment for the camp sensibility of the '60s and further immortalized the Dark Knight as a pop culture icon for generations to come. </Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/9/7/9783836535762.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>TASCHEN's Woodbook reproduces, in painstaking facsimile, all of the specimen pages from the original volumes; for this purpose we have obtained the use of an extremely rare original set of volumes in very good condition, with minimal damage to the wood cuts. For all trees, now arranged in alphabetical order, three different cross-section cuts of wood are represented (radial, horizontal, and tangential), demonstrating the particular characteristics of the grain and the wealth of colors and textures to be found among the many different wood types. Also included in this special edition are lithographs by Charles Sprague Sargent of the leaves and nuts of most trees, as well as texts describing the treesrsquo; geographical origins and physical characteristics. Interior designers, craftspeople, nature enthusiasts, and artists alike will enjoy this beautiful collection of wood samples which includes many trees that are now very rare or completely extinct.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/2/5/25_wood_book-hough_va_int_3d_44406.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Glamour meets grunge in the dark, dramatic world of Rick Owens.There are a few other designers like Rick Owens, whose work is so instantly recognizable by cut and bias alone. Born in California, Rick Owens launched his eponymous label in 1994. His draped, dark, and perfectly cut aesthetic is the antithesis of the sunshine-saturated, bleached-teeth image of LA, and in many ways has been integral to his success. Owens relocated to Paris in 2003, where his goth meets grunge aestheticmdash;affectionately known as ldquo;glungerdquo;mdash;continues to grow from season and season. Today, Owens is a much loved and respected fixture on the international fashion scene. His vision stretches beyond fashion to include furniture, jewelry, and fur. As well as four fashion collections a year, Owens also designs Lilies, a successful diffusion line that offers a more playful take on the designerrsquo;s signature style, a bespoke line of furniture that incorporates everything from antlers to stone and wood, and his own fur collection entitled Palais Royal.This stunning large format photographic portfolio looks back over i-Drsquo;s archives to offer a rare insight into Rick Owensrsquo; all-encompassing world. Highlights include cutting edge imagery from photographers including Corinne Day, Soslash;lve Sundsboslash; and Hans Feurer, and insightful interviews by Terry Jones, Holly Shackleton, Jo-Ann Furniss and Ben Reardon. </Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/x/r/xrick-owens.jpg.pagespeed.ic.vukdnqxzzs.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Architecture Now! 9 includes works in Amsterdam and Inner Mongolia by architects as famous as Zaha Hadid and Jean Nouvel, and those as little known to the general public as Carla Juaccedil;aba from Brazil. Small ephemeral buildings like the BMW Guggenheim Lab by Atelier Bow-Wow are included, as well as houses, movie theaters, fashion boutiques, and even an Opera Village in Burkina Faso. Wine and dine with Pritkzer Prize winner Thom Mayne of Morphosis; climb to the top of the Orbit, symbol of the 2012 London Olympics by artist Anish Kapoor and engineer Cecil Balmond; travel ldquo;Beyond Infinityrdquo; in a virtual environment created in Shanghai by French designer and artist Serge Salat. This is architecure. Now.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/3/3/3369-s.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>ldquo;Having married world-famous photographer Helmut Newton, June professionally known as lsquo;Alice Springsrsquo;, launched her own career as a world class photographer in 1970. This is her outstanding and unique portfolio of award winning imagesrdquo;   Faces, places, and punk The Alice Springs portfolio When her husband ndash; who happened to be world-famous photographer Helmut Newton fell sick with flu on the eve of a pressing deadline in 1970 - it was up to his wife, June, to photograph an advertisement for Gitanes cigarettes. After the barest instruction in lighting and camerawork, June clicked the shutter on a smoking model and ignited her own career behind the lens. Using the pseudonym Alice Springs, June Newton began as a commercial photographer, shooting advertisements for French and international fashion magazines, before exploring portraiture and celebrity via the highlife in Hollywood and lowlife of the L.A. punk scene during the 1980s. She became Helmutrsquo;s artistic director, collaborating on exhibitions and books as well as developing her own characteristically intense, revealing photography. Coinciding with a major retrospective at the Helmut Newton Foundation which was shown at the Maison Europeacute;enne de la Photographie, this TASCHEN collection celebrates Alice Springsrsquo;s work with a focus on the glamour and seedy excitement of 1980s Melrose in Los Angeles, as well as some of her most compelling self-portraits and studies of Helmut. Throughout, we celebrate Springsrsquo;s sensitivity to subjects in composition and her particular skill at capturing the charisma animating a figure or face.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/a/l/alice_springs_mep_catalogue_fo_int_3d_05312_1605111515_id_1053015.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>From June 18 to July 3, 2016, 100 kilometers east of Milan and 200 kilometers west of Venice, thousands of people will walk on water. The Floating Piers by Christo and Jeanne-Claude will deploy 70,000 square meters of shimmering yellow fabric above a modular floating dock system of 220,000 high-density polyethylene cubes to create a temporary, three-kilometer walkway across the surface of Lake Iseo, connecting the mainland to the islands of Monte Isola and San Paolo. The piers will be 16 meters wide and approximately 40 centimeters high, with sloping sides. Visitors will experience the artwork by walking from Sulzano to Monte Isola and over to San Paolo. The mountains surrounding the lake will also offer a birdrsquo;s-eye view of the project, revealing unnoticed angles and perspectives. The Floating Piers will be Christo and Jeanne-Claudersquo;s first large scale project since they realized The Gates in 2005 and will draw upon their established history of projects in Italy, includingWrapped Fountain and Wrapped Medieval Tower in Spoleto, 1968; Wrapped Monuments in Milan, 1970; and The Wallndash;Wrapped Roman Wall in Rome, 1973ndash;74. As with all of Christo and Jeanne-Claudersquo;s projects, The Floating Piers will be funded entirely through the sale of Christorsquo;s original works of art. After the 16-day exhibition, all components will be removed and recycled. This book presents rich photographic coverage of The Floating Piers alongside sketches, models, documents and designs, revealing the process behind this waterborne work of art. Incorporating everything from approval procedures to the manufacture of fabric and anchoring elements, it testifies not only to Christo and Jeanne- Claudersquo;s unique creative imagination but also to the immense technical, bureaucratic, and logistical feats that allowed the concept to take float.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/c/h/christo-and-jeanne-claude.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Before aesthete, designer, and architect Josef Hoffmann (1870ndash;1956) came along, Austrian architecture and design was suffocating under a surfeit of opulent ornamentation and bombastic flourish. With his radical new approach and a band of like-minded figures, Hoffmann was a founding father of the Viennese Secession and Wiener Werkstauml;tte, and revolutionized Western aesthetics with a brave new minimalism. A trained architect, Hoffmann lived his life as an extreme aesthete, while also cultivating his image as a bon viveur, a lover of women, a snappy dresser, and a provocative thinker. Gifted with a questing intellect, he continually challenged received orthodoxies and pushed for purer design in buildings and furniture, glass and metalwork. Joining forces with Joseph Maria Olbrich, Gustav Klimt, and Koloman Moser, he founded the Vienna Secession in 1897, and later established the prestigious production community of the Wiener Werkstauml;tte, with its close connection to the Arts and Crafts movement. Over his 60-year career, Hoffmannrsquo;s radical approach saw the creation of some of Europersquo;s first major modernist buildings, such as the Purkersdorf Sanatorium (1904) and the Palais Stoclet (1905ndash;1911), replete with Klimt murals. Many of his homeware designs remain in production to this day. This essential introduction explores Hoffmannrsquo;s key ideas, buildings, and designs to examine an essential modernist who continues to directly inform and inspire European aesthetics, from monochrome interior schemes to the cutlery we set on the able.  August Sarnitz is a practicing architect and professor of history and theory of architecture at the Akademie der bildenden Kuuml;nste in Vienna. His many publications include books on R. M. Schindler, Lois Welzenbacher, Ernst Lichtblau, Adolf Loos, and E. A. Plischke. Peter Gouml;ssel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several architecture titles in the Basic Art Series.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/h/o/hoffmann.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>In 1935, DC Comics founder Major Malcolm Wheeler-Nicholson published New Fun No. 1&#8211;the first comic book with all-new, original material&#8211;at a time when comic books were mere repositories for the castoffs of the newspaper strips. What was initially considered to be disposable media for children was well on its way to becoming the mythology of our time&#8211;the 20th century&#8217;s answer to Atlas or Zorro. More than 40,000 comic books later, TASCHEN has produced the single most comprehensive book on DC Comics. More than 2,000 images&#8211;covers and interiors, original illustrations, photographs, film stills, and collectibles&#8211;are reproduced using the latest technology to bring the story lines, the characters, and their creators to vibrant life as they&#8217;ve never been seen before. Telling the tales behind the tomes is 38-year DC veteran Paul Levitz, whose in-depth essays trace the company&#8217;s history, from its pulp origins through to the future of digital publishing, alongside year-by-year timelines and biographies of DC legends. The Crown Jewel of Comics The DC universe as never seen before Paul Levitz is a comic book fan who has worked as editor/publisher of The Comic Reader, editor of the Batman titles and others, writer of more than 300 stories&#8212;including an acclaimed run on Legion of Super-Heroes&#8212;and a DC Comics executive, finishing his 38-year stint with the company as President and Publisher. He returned to writing in 2010 with a new series of Legion stories and other projects. Four of his books have been New York Times best sellers.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/f/p/fp_75_years_dc_comics_20160907160228.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>The best of Harry Bensonrsquo;s era-defining Beatles portfolio, capturing the group performing and coming to terms with skyrocketing fame.From a pillow fight in Paris to their first U.S. tour, shot in luminous black and white, his pictures showed George, John, Paul, and Ringo composing, relaxing, and engaging with euphoric fans.ldquo;They were without a doubt the greatest band of the 20th century, and thatrsquo;s why these photographs are so important.rdquo;mdash; Harry Benson</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/c/o/cover_-benson_the_beatles_trade_fo_int_3d_05759.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>ldquo;Elvis who?rdquo; was photographer Alfred Wertheimerrsquo;s response when, in early 1956, an RCA Victor publicist asked him to photograph an up-and-coming crooner from Memphis. Little did Wertheimer know that this would be the job of his life: just 21 years old, Elvis Presley wasmdash; as we now knowmdash;about to become a legend. Trailing Presley like a shadow, Wertheimer took nearly 3,000 photographs of Presley that year, creating a penetrating portrait of a man poised on the brink of uperstardom. Extraordinary in its intimacy and unparalleled in its scope, Wertheimerrsquo;s Elvis project immortalized a young man in the very process of making history.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/w/e/wertheimer_elvis_trade_fo_int_3d_45302.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>The most important German artist of his generation, Caspar David Friedrich (1774ndash;1840), championed themes of solitude, nature, and the sublime. In his symbolic and anti-classical scenes of moonrises, mountains, and seas, he emphasized an alienation from materialistic society and the spiritual enrichment of nature. Famed above all for The Wanderer above a Sea of Fog, Friedrich's paintings tend to set a small human figure against a vast, moody landscape: thick snow, steep chalk cliffs, or swirling dark clouds. These dramatic scenes depended on a sense of solitude, which the artist considered ldquo;indispensiblerdquo; to his encounter with nature and his artistic output. In channelling this subjective experience into art, he became an important precursor to Expressionism. This book presents key works from Friedrich's repertoire of contemplative landscapes, at times serene, at others melancholy, to introduce a pivotal player in the Romanticmovement.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/f/r/friedrich.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Itrsquo;s the city where history, spectacle, and sensuality collude around every corner, where Baroque drama flourishes alongside ancient Classical wonders. Where necks crane to admire Michelangelorsquo;s Sistine Chapel, where Fellini made Dolce Vita history, and where Mussolini crafted fascist ideology into the mega-structures of EUR. This bumper photographic portrait of Rome brings together hundreds of photographs from the 1840s through to today to explore the extraordinary history, beauty, and art of this incomarable cultural capital. Through some 500 sepia, black-and-white, and color images, the collection brings photographers like Giacomo Caneva, Pompeo Molins, Giuseppe Primoli, Alfred Eisenstaedt, Carlo Bavagnoli, Henri Cartier-Bresson, Pasquale De Antonis, Peter Lindbergh, Slim Aarons, and William Klein to reveal Rome in its many compelling guises: as nexus of the Ancient Roman Empire, as hotbed of the Renaissance, as treasured travel destination, as a rich patchwork of varied neighborhoods, as home to the Vatican and center of the Roman Catholic church, as political stage, and as perfect backdrop to film and fashion shoots.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/f/o/fo-portrait_rome-cover_05319.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>A century after his death, Viennese artist Gustav Klimt (1862&#8211;1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. In this neat, dependable monograph, we gather all of Klimt&#8217;s major works alongside authoritative art historical commentary and privileged archival material from Klimt&#8217;s own archive to trace the evolution of his astonishing oeuvre.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/k/l/klimt_bu_gb_3d_49355_1801151322_id_1167093_custom_.png</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Meet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760&#8211;1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.  Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e (&#8220;pictures of the floating world&#8221;) practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.  Hokusai&#8217;s print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artist&#8217;s most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series&#8217; The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.  This TASCHEN introduction spans the length and breadth of Hokusai&#8217;s career with key pieces from his far-reaching portfolio. Through these meticulous, majestic works and series, we trace the variety of Hokusai&#8217;s subjects, from erotic books to historical novels, and the evolution of his vivid formalism and decisive delineation of space through color and line that would go on to liberate Western art from the constraints of its one-point perspective and unleash the modernist momentum.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/a/r/art_hokusai_ba_gb.png</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Renaissance presenceHans Holbein the Younger, portraitist extraordinaire Religion, Renaissance, and Reformationmdash;these three ideologies shaped the world of 16th-century portraitist Hans Holbein the Younger (1497/98ndash;1543), a pivotal figure of the Northern Renaissance, whose skills took him to Switzerland, Belgium, Italy, and England, and garnered patrons and subjects as prestigious as Henry VIII, Thomas More, Anne of Cleves, and Reformation advocate Thomas Cromwell. While he started out with, and maintained, a repertoire of religious works, Holbein is regarded above all as one of the greatest portraitists in Western art history. His probing eye was matched with a draftsman mastery of line and an almost supernatural ability to control details, from the textures of luxurious clothing to the ornament of a room. He combined this meticulous mimesis with an inspired amalgam of regional painterly traits, combining Flemish-style realism, late medieval German composition, and Italian formal grandeur to astonishing effect. During his time in England, Holbein became official court painter to Henry VIII, producing both reformist propaganda and royalist paintings to bolster Henryrsquo;s status as monarch and as the new Supreme Head of the Church following the English Reformation. His portrait of Henry from 1537 is regarded not only as a portraiture pinnacle but also as an iconic record of this transformative monarch and the Tudor dynasty. Through this turbulent period, Holbein also produced anticlerical woodcuts, and sketched and painted Lutheran merchants, visiting ambassadors, and Henryrsquo;s notorious succession of wives. In this Basic Art introduction, we survey some of Holbeinrsquo;s key works from his illustrious and international career. Along the way, we discover a period as ripe with artistic innovation as with courtly drama and radical religious change, and an artist who made as much of a historical mark as the subjects he painted. Norbert Wolf graduated in art history, linguistics, and medieval studies at the Universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Duuml;sseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velaacute;zquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting, and Symbolism.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/9/7/9783836563727.png</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz opens the door to 144 of the cityrsquo;s most sumptuous entrance halls, captivating in their diversity and splendor. These vibrant Milanese entryways, until now hidden away behind often restrained faccedil;ades, are revealed as dazzling examples of Italian modernism, mediating public and private space with vivid configurations of color and form, from floors of juxtaposed stones to murals of minimalist geometry. The collection spans buildings from 1920 to 1970 and showcases the work of some of the cityrsquo;s most illustrious architects and designers, including Giovanni Muzio, Gio Ponti, Piero Portaluppi, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. The photographs for the publication were exclusively created by Delfino Sisto Legnani, Paola Pansini, and Matthew Billings, each evoking the entryways with individual sensibility and a stylistic interplay of detail shotsmdash;such as stones, door handles, and handrailsmdash;with larger architectural views. The images are accompanied by outstanding written contributions from Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brian Kish, and Grazia Signori, together bringing a wealth of architecture, design, and natural stone expertise to guide the reader through the applied materials and fittings as well as the art-historical and social implications of each of the ingressi. As much an architectural city guide as an aesthetic study, the book provides the exact address and an annotated Milan map for all featured entryways, as well as the architect name and date of construction. In the well-documented realm of 20th-century Italian design, Kolbitz has stepped over the threshold and delivered a brand new area of inquiry in Milanese modernism. With the rigor of its multifaceted research, poised photography, and breadth of its featured hallways, this is an invigorating new reference work and an inside look at the cityrsquo;s design DNA across high to low architecture.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/e/n/entryways_of_milan.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>This definitive retrospective of Steve McCurryrsquo;s work in Afghanistan spans almost four decades of pictures. Depicting a rare and disarming humanity, McCurry photographs that seemingly blighted yet beautiful country with remarkable skill and passion. ldquo;They are a proud people, eyes leveled straight, in contempt as much as in curiosity: these are the faces, both male and female, that peer so defiantly from Steversquo;s magnificent photographs.rdquo; Afghanistan is a country overwhelmed by tribal rivalries, colonial wars, and geo-political conflict. The Afghans have always called their mountains ldquo;the land of rebellion.rdquo; In spite of this, born of chaos and entrenched conflict are these most breathtaking of images. American photographer Steve McCurry has traveled to Afghanistan regularly for almost four decades to document its people with a rare and disarming humanity. His most striking 1984 portrait Afghan Girl has graced the covers of magazines the world over, in equal parts haunting and evoking remarkable grace and dignity. In common with so much of McCurryrsquo;s work, it has a timeless, painterly quality mdash;entirely at odds with the battle-torn backdrop of the region in which it was taken. Steve McCurry has always been subjected to dangers that are an inevitable part of life ldquo;on the roadrdquo; for photographers. He often ventured behind the lines, usually at great risk; his first trip to Afghanistan in 1979 involved him dressing in Afghan robes in order to be smuggled across the border from Pakistan. That journey into the treacherous, unpredictable landscapemdash;territory controlled at various times by the Mujahideen, the Russians, and the Talibanmdash;was one that McCurry would make numerous times. Many other photographers would follow in his footsteps, but none would return with such a flawless body of work.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/9/7/9783836569361.jpg</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Henri Rousseau (1844&#8211;1910) was a clerk in the Paris customs service who dreamed of becoming a famous artist. At the age 49, he decided to give it a try. At first, Rousseau&#8217;s bright, bold paintings of jungles and exotic flora and fauna were dismissed as childish and simplistic, but his unique and tenacious style soon won acclaim. After 1886, he exhibited regularly at Paris&#8217;s prestigious Salon des Ind&#233;pendants, and in 1908 he received a legendary banquet of honor, hosted by Picasso.  Although best known for his tropical scenes, Rousseau, in fact, never left France, relying on books and magazines for inspiration, as well as trips to natural history museums and anecdotes from returning military acquaintances. Working in oil on canvas, he tended toward a vibrant palette, vivid rendering, as well as a certain lush, languid sensuality as seen in the nude in the jungle composition The Dream.   Today, &#8220;Rousseau&#8217;s myth" is well established in art history, garnering comparison with such other post-Impressionist masters as C&#233;zanne, Matisse, and Gauguin. In this dependable TASCHEN introduction, we explore the makings of this late-blooming artist and his legacy as an unlikely hero of modernism.</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/a/r/art_rousseau_ba_gb_3d_43106_1712201510_id_1133472_1.png</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>During the 1960s, Dennis Hopper carried a camera everywhere&#8212;on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends,and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade&#8217;s cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi, this extensive volume, finally back in print in a new edition, distills the essence of Hopper&#8217;s prodigious photographic career. Also included are introductory essays by Shafrazi and legendary West Coast art pioneer Walter Hopps, as well as an extensive biography and new afterword by journalist Jessica Hundley. With excerpts from Victor Bockris&#8217;s interviews of Hopper&#8217;s famous subjects, friends, and family, this volume revives an unprecedented exploration of the life and mind of one of America&#8217;smost fascinating personalities. &#8220;I was doing something that I thought could have some impact someday. In many ways, it&#8217;s really these photographs that kept me going creatively.&#8221; &#8212; Dennis Hopper</Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/h/o/hopper_dennis_fp_int_3d_44840_1801251441_id_1173733.png</MediaFileLink></MediaFile></Product>
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<OtherText><TextTypeCode>01</TextTypeCode><Text>Through a Different Lens reveals the keen and evocative vision of a burgeoning creative genius in a range of feature stories and images, from everyday folk at the laundromat to a day in the life of a debutant, from a trip to the circus to Columbia University. Featuring around 300 images, many previously unseen, as well as rare Look magazine tear sheets, this release coincides with a major show at the Museum of the City of New York and includes an introduction by noted photography critic Luc Sante.  These still photographs attest to Kubrick&#8217;s innate talent for compelling storytelling, and serve as clear indicators of how this genius would soon transition to making some of the greatest movies of all time. </Text></OtherText><MediaFile><MediaFileTypeCode>04</MediaFileTypeCode><MediaFileLinkTypeCode>01</MediaFileLinkTypeCode><MediaFileLink>http://au.newhollandpublishers.com/media/catalog/product/4/1/419l5loqb0l._sx258_bo1_204_203_200_.jpg</MediaFileLink></MediaFile></Product>
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